Dangerous SOURCE User Manual

SOURCE® The Truth is In HereUSER GUIDE

6 | DANGEROUS MUSIC3. HEADPHONE SETUP (TOGGLE TO LATCH MODE)[headphone setup source buttons pictured above]Feature: Set the desired behavior for the

SOURCE | 75. SPEAKER SOURCE SETUP (TOGGLE TO LATCH MODE)[speaker source buttons pictured above]Feature: Set the desired behavior for the speaker

8 | DANGEROUS MUSICBenefit: Simultaneously press and hold the bracketed setup buttons (an 2 and aes/spdif) on the headphone source side. The setup lig

SOURCE | 9Source: Mac SetupPRO TOOLSPlug in source via USB to your Mac.Power up source.Launch Pro Tools.Navigate to the “setup” menu.Select “playb

10 | DANGEROUS MUSICSource: PC SetupPlug in source via USBTo install the driver, plug the USB port to the computer and power up source. Double click

Set the rate (In this case auditioning a CD). (PHOTO OP 09)44100Hz selected (PHOTO OP 10)To select the USB card if you have multiple devices, o

Source: Application ExamplesThe Producer Talent is using headphones with analog input two (headphone mix out of the computer) and analog input one for

SPECIFICATIONS INPUT 1 TO SELECTED LINE OUT AND SPEAKERSFrequency Response +0, -0.5dB from <10 Hz to >80 kHzTHD+N < 0

DIGITAL INPUTSThe AES inputs lock from 32kHz to 192kHz sample rates with the following: <0.004% THD+N -0.2dB at 10 Hz and 22kHz

WARRANTYFree 2 year extended warranty with online registration.

SAFETY REVIEWThe Exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance

Dangerous Music Inc. 231 Stevens Road, Edmeston, NY 13335 [email protected] www.dangerousmusic.com

| IITHANK YOUThank you for choosing products from the exciting and innovative line of Dangerous Music recording equipment. Many years of reliable

iii | DANGEROUS MUSICTABLE OF CONTENTS Overview 1 Source Rear Panel Features & Benefits 2 Source Front Panel Features, Benefits & Connecti

SOURCE | 1OVERVIEW The Dangerous Source provides the critical link between your ears and the music. Every tracking and mixing decision hinges upon

2 | DANGEROUS MUSICSource: Rear Panel Connections [rear panel inputs pictured above]1. ANALOG INPUTSFeature: Analog Input 1 is on XLR / TRS combina

SOURCE | 3EXAMPLE 1: AES CABLE [AES XLR(F)-XLR(M)]EXAMPLE 3: AES to S/PD IF CAB

4 | DANGEROUS MUSIC5. SPEAKER 1 & 2 OUTPUTS[rear panel speaker outputs pictured above]Feature: Two stereo outputs for connecting two sets of ref

SOURCE | 5Source: Front Panel Features & Benets1. HEADPHONE OUTPUTS[headphone source section pictured above]Feature: Headphone jack 1 &